- #CINEMATIC STRINGS 2 VS. CINESAMP.E STRINGS FULL VERSION#
- #CINEMATIC STRINGS 2 VS. CINESAMP.E STRINGS PATCH#
- #CINEMATIC STRINGS 2 VS. CINESAMP.E STRINGS PC#
- #CINEMATIC STRINGS 2 VS. CINESAMP.E STRINGS PROFESSIONAL#
In terms of bang for your buck there is little that can kompete (sorry) with that. The cost of the Kontakt 5 sample engine on it’s own is £339, so it’s an absolute no brainer to be buying the Komplete 9 bundle which includes 33 products INCLUDING the Kontakt 5 player for £429. So in essence we are really investing in the future here.
#CINEMATIC STRINGS 2 VS. CINESAMP.E STRINGS FULL VERSION#
This was a hard price range to think about, but ultimately it came down to the fact that you will not have access to some of the best sample libraries around without having the full version of Kontakt 5 (£339 on it’s own). Ok so it’s not a sample library, but it is one of the best reverbs around and incredible value for money.
#CINEMATIC STRINGS 2 VS. CINESAMP.E STRINGS PC#
Fact is, it’s a lower end library and it’s cheap! Having said that, the PLAY engine that it runs in has got a bad rap over the years for being very CPU hungry, so be sure to check your PC specs are up to the challenge.
#CINEMATIC STRINGS 2 VS. CINESAMP.E STRINGS PATCH#
Chances are you are unlikely to load up any patch and think “that sounds terrible”, but more likely say to yourself “yeah, that’s not bad”.
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Some of the best patches in this library are in the percussion section. I’ve heard some fantastic mock ups using this library but you really have to know what you are doing in terms of programming tricks to use it to it’s full potential. Is it the best thing on the block? Honestly, most of the time no, it isn’t, but there are still some gems in here. The Swiss army knife of the orchestral composers tool-kit. (Prices are after student discount has been applied where possible) Usually the VSL flute is great but if you want that really expressive tone then 8Dio is the way to go – so what is the answer? In the long run the answer is have both! But not everyone has the cash to go buying every library out there, so here are my suggestions for building up your comprehensive orchestral sample libraries from nothing on different budgets. Many of you will have heard me say again and again that a lot of the time it comes down to personal preference and the skill of the programmer. The aim of this blog is not to tell you which library to buy. Some are very expensive, some are about what you would expect to pay and some are excellent value. Of course they have way more information on their website where they showcase a lot of the features and functions of the library so make sure you go over and check them out.I’m sure you have all realized by now that there is a lot of choice out there and the companies making sample libraries are getting better and more competitive all of the time. If you really need a good collection of high end orchestral string sections with smooth legato these are definitely some you want to take a look at. I give this library 4.5 out of 5 subs, it’s a great follow up with many improvements as well as a down right great sounding library in it’s own right. I love the fact that they simplified the interface as well, even though it still takes a while to load the full patches. Overall I really dig the sound of these strings, they have a nice warm vibe to them.Īt the end of the day, Cinematic Strings 2 sounds and plays awesome. The included reverb sounds good and having the control right up front with a big knob makes dialing it in very simple. The overall sound isn’t too big or wide, not too much ambiance so you can still adjust to tastes. I also love that you can adjust the envelope on the ensemble, as well as the attack/release on the short samples.īeing able to add or remove a staccato layer on the sustain patches is also really cool. I absolutely love how smooth the legato is, really makes for a realistic sounding string part.
![cinematic strings 2 vs. cinesamp.e strings cinematic strings 2 vs. cinesamp.e strings](https://jamesmarsh.com/wp-content/uploads/2014/11/Strings-2.jpg)
This library has a really smooth and very rich tone to it. content: 21.1GB, 5 section patches with all articulations for each section, 2 full ensemble patches.Though having all articulations in one patch does make for longer load times, there are always ways to get around things like that. What they did is put all the articulations into the same patch per section so you can easy switch between them on the fly.
#CINEMATIC STRINGS 2 VS. CINESAMP.E STRINGS PROFESSIONAL#
Of course…you know I feel you can use any sound in any situation when producing music, but this is definitely made with professional composers in mind.Ĭompared to the first version they definitely streamlined the interface, much to my delight, as you only have one patch for each section. This is a professional grade orchestral string library geared towards film, tv, media, and video game composers. I feel I have much more of an idea in terms of what I look for in a library, what sounds good compared to other libraries, and overall product concepts.
![cinematic strings 2 vs. cinesamp.e strings cinematic strings 2 vs. cinesamp.e strings](https://i.ytimg.com/vi/_fcVFRhT544/mqdefault.jpg)
That was very early in the days of my reviewing and was probably the first if not one of the first “high end” libraries I ever reviewed for Kontakt.įast forward about 3 years and thousands of products later, and today I’m checking out Cinematic Strings 2 For those that have been around here for a few years, you may remember my review of Cinematic Strings.